Report: Lil Wayne in Critical Condition After Seizures

Report: Lil Wayne in Critical Condition After Seizures

by  | March 15, 2013 at 7:27 PM | GeneralMusic
(AP Photo/Katy Winn)
Rapper Lil Wayne is in ICU of Cedars-Sinai Hospital in L.A. after suffering another seizure, according to TMZ.
The 30-year-old superstar was rushed to the hospital Tuesday night after suffering multiple seizures. He was released on Wednesday, but was found unconscious on the floor by one of his bodyguards just hours later.
Once again he was rushed to the hospital, but this time the “Lollipop” artist was not stable. Lil Wayne had to be placed in constraints due to uncontrollable shaking.
TMZ reports that Wayne is currently “unstable” and has been placed in an induced coma. He is currently breathing with the assistance of tubes.
Reports claim that several people are at Lil Wayne’s bedside crying. Numerous artists and family members are making their way to the hospital. Sources report that the scene is violent as Wayne shakes uncontrollably.
TMZ sources report that there is evidence that the rapper went on a Sizzurp binge after he was released from the hospital on Wednesday. Doctors allegedly had to pump his stomach three times to remove the high amounts of codeine in his system.
Lil Wayne’s status has been updated  to stable, according to a source at the hospital,but he is still in critical condition in ICU. Although the source claims that Lil Wayne is sleeping, he just tweeted that he is doing fine and thanked people for their support.

The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

Report: Elin Nordegren Dating Billionaire Chris Cline

Report: Elin Nordegren Dating Billionaire Chris Cline

by  | March 12, 2013 at 7:40 PM | CelebrityCelebrity RelationshipsGeneral
(AP Photo/Eric Risberg)
Elin Nordegren may have found a great catch on the rebound from Tiger Woods. The New York Post reports that the 33-year-old divorcee is seeing Chris Cline, a coal entrepreneur worth $1.2 billion.
The pair currently live in close proximity of one another. Cline, 53, has a mansion in the Seminole Landing development in North Palm Beach, Florida. Nordegren is rebuilding her $12 million home in the same area.
“Elin and Chris have been dating since the holidays,” a source tells the New York Post. While Elin and Tiger have two kids from their marriage, Cline has four kids from his two past marriages.
Neither are strangers to luxurious lifestyles. Elin received an estimated $110 million in her 2010 divorce settlement. Cline allegedly hosted a Mitt Romney fundraiser at his home last September and owns a luxury yacht called Mine Games.
Don’t expect to see Tiger Woods bent out of shape about  his ex-wife moving on. The elite golfer reportedly has been dating Olympic skier Lindsey Vonn for months. Tiger showed his allegiance to his new love interest by reportedly sending his private jet to pick Vonn up from Austria after a devastating knee injury.
Despite the dating news, both Nordegren and Woods seem to be adjusting to co-parenting just fine. The exes were photographed together last month at their kids’ soccer game, their first public outing together since their 2010 split. The two chattered cordially while watching Sam, 5, and Charlie, 4, and “appeared to enjoy each other’s company,” according to TMZ.
The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

Zoe Saldana InStyle Hair Spring 2013 Issue

Zoe Saldana InStyle Hair Spring 2013 Issue

by  | April 2, 2013 at 1:41 PM | CelebrityGeneralInStyle Magazine
Photographed for InStyle Hair by Liz Collins
Featured on the cover of the annual spring special issue, InStyle Hair, Zoe Saldana chats about her dream hairstyle, love of red lipstick and shares her mother’s advice.
On her relationship with her hair:
“In Latino culture, hair carries a lot of history, a lot of weight, and a lot of energy. I always liked my hair. I never wanted to have any other skin but my own, any other hair but my own… Women who spend so much of their lives wanting to have something else miss out on learning to appreciate what they do have.”
On her dream hairstyle:
“If I want to chop off my half my hair, I’ll take scissors and do one side before I even go to the hairdresser. For me, it’s all about trusting my instinct. Plus, that way I can’t change my mind!” Later, she adds: “At some point I want to chop mine off and learn to enhance my other virtues, instead of depending so much on my hair.”
On her love of lipstick starting early:
“[I was a tomboy], but I was never a tomboy who didn’t brush her hair. I was always feminine and clean. For Halloween I was a ninja almost every year, but I needed to have red lipstick. I’ve been obsessed with red lipstick ever since I was a little girl.”
On her mother’s advice:
“My mom raised my sisters and I with a strong sense of self.” And “[My mother] always said, ‘Honey, there is nothing that a red lipstick and a pair of red shoes can’t heal, cure, or solve.’ And I absolutely believe that. They can get you out of anything, even the biggest funk of your life.”

Original Mouseketeer Annette Funicello Dies at 70

Original Mouseketeer Annette Funicello Dies at 70

by  | April 8, 2013 at 12:31 PM | CelebrityCelebrity Deaths
Annette Funicello (Photo by Getty Images)
Beloved Mouseketeer Annette Funicello passed away at the age of 70 due to complications from multiple sclerosis.
Funicello joined Disney’s “Mickey Mouse Club” in 1955 at the age of 12 and went on to launch a successful acting and singing career, with hits such as “Tall Paul” and “Pineapple Princess.”
The height of her fame came in the 1960s when she helped popularize the “Beach Party” movie genre with co-star Frankie Avalon.
According to Extra, she had been in a coma prior to her death.
“She’s on her toes dancing in heaven… no more MS,” Funicello’s daughter Gina Gilardi said in a statement. “My brothers and I were there, holding her sweet hands when she left us.”
The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

Ryan O’Neal Admits to Cheating on Farrah Fawcett

Ryan O’Neal Admits to Cheating on Farrah Fawcett

by  | April 9, 2013 at 8:23 PM | CelebrityCelebrity Relationships
(AP Photo)
A legal battle between Ryan O’Neal and the University of Texas has led to the 71-year-old actor’s admission that he cheated on former girlfriend Farrah Fawcett, according to RadarOnline.
The “Paper Moon” actor confessed in a court deposition that Fawcett ended their relationship after she caught him in bed with another woman.
O’Neal expressed his surprise that Fawcett decided to call it quits on their relationship. “She boxed a few things and sent them to me… I was so surprised. I was with her for 18 years. I only got four boxes, mostly shoes and videotapes,” O’Neal said.
News of O’Neal’s infidelity came to light as he battles Fawcett’s alma mater for an Andy Warhol portrait of the actress. The University of Texas claims that the portrait was left to the school after Fawcett’s death in 2009, while O’Neal contests that he is the rightful owner.
Fawcett and O’Neal struggled as a couple throughout their shaky 18-year relationship that began in 1982. In a 1994 interview with TV Guide, Fawcett said, “Sometimes Ryan breaks my heart. But he’s also responsible for giving me confidence in myself.” Although the two never married, they had a son together. Redmond O’Neal, now 28, has publicly battled drug abuse, with stints in jail and rehab.
Despite reuniting one year before Fawcett was diagnosed with anal cancer in 2006, the ex-Charlie’s Angel wrote O’Neal out of her will. The University of Texas believes that O’Neal stole the painting from Fawcett’s home following her death. He claims that the actress made him keep the portrait in a ploy to make his new girlfriend feel uncomfortable.
“The reason I gave it to (Farrah) is because there was a new woman in my life and the painting was making her uncomfortable; that Farrah seemed to be staring down at her. And so I said, ‘Well, I can fix that.’ I took it to Farrah and said, ‘Keep this for me. I’ll be back,’ O’Neal claims, saying Fawcett replied: ‘I don’t want it because I like it that she’s uncomfortable.’”
In the deposition, O’Neal insists he isn’t fighting for the Warhol painting for his own gain. He believes that Fawcett would have wanted the portrait to go to her son, Redmond, who was awarded $4.5 million in his mother’s will.
The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

Samantha Barks’ Life-Changing ‘Les Mis’ Moment

Samantha Barks’ Life-Changing ‘Les Mis’ Moment

by  | March 26, 2013 at 4:16 PM | Celebrity InterviewMovies
Samantha Barks (Photo by Michael Buckner/Getty Images)
Samantha Barks, a 22-year-old Brit who was discovered less than five years ago on a British reality singing competition, landed the role of a lifetime in the big-screen adaptation of Victor Hugo’s “Les Misérables,” available now on Blu-ray/DVD and with XFINITY On Demand.
Despite her lack of movie experience, the newcomer held her own as Éponine alongside movie veterans such as Hugh Jackman, who she describes as “the nicest guy I’ve ever had the joy of working with.”
Barks previously played Éponine onstage in London’s West End and was tapped to perform the role in 2010 for the 25th Anniversary Concertat the famous O2 Arena. It was here that she met producer Cameron Mackintosh, who would eventually deliver the biggest news of Barks’ life.
“When I heard there was a film coming up, I didn’t think I’d be lucky enough to even be seen for the role,” Barks told me during a recent interview. “When I was actually called into audition, I just couldn’t believe it. I was so excited for the opportunity.”
Barks embarked on rigorous 15-week casting process that included singing with experienced actors such asEddie Redmayne, Amanda Seyfried and Anne Hathaway.
The actress was busy touring with the London revival of “Oliver” when she found out she got the part.
“I was onstage playing Nancy in ‘Oliver’ and Cameron Mackintosh, the producer, walked onstage and, live in front of the audience, said I was going to be playing Éponine [in the movie],” the actress said. “It was the most surreal way to find out you’ve got a role. I’ll remember that moment forever, it was definitely life-changing.”
The first reaction of this small-town girl, who grew up in Laxey on the Isle of Man, was to call her parents with the good news.
“I remember I couldn’t think clearly. I was like, ‘This is the most life-changing news I’ve ever heard,’ and then in my mind I thought, ‘I’ve got to call my mum and dad!’ They were so happy, they reacted like speechless,” she revealed. “It was fantastic, it was the exact reaction I had. I’m not someone who screams and goes crazy. I process news more internally. It was a life-changing moment for me, and they were just so wonderful, proud and supportive.”
Samantha Barks as Éponine (Photo: Universal)
Despite her experience playing Éponine, Barks’ first day on set was completely nerve-wracking.
“I was thinking ‘I don’t belong here; I’m not a film star.’ But I got on set and saw how equally nervous everyone else was and then I was thinking, ‘Why are you guys nervous? You’re all amazing and experienced,’” she said. “Eddie Redmayne had never done a musical before and I’d never done a film before, so we were all on a level playing field, though it certainly didn’t feel that way.”
Barks quickly realized that even the film’s most talented actors were scared to bring the beloved musical to the big screen.
“Everyone has their own insecurities and that’s what you learn with these things,” she said. “They were just the nicest bunch of people and we were all there for each other. There were no divas, no tantrums, no nasty people.”
She was surprised by the massive amount of Oscar buzz surrounding the film, but didn’t let it go to her head.
“For me, while everyone was talking about the Oscars, I couldn’t get over the excitement of actually being in the film,” she said. “By the time we got asked to do the Oscars, I was like, ‘Ahhh! What?’ I never thought I would ever actually be there.”
To boot, the young star was ecstatic when her co-star Anne Hathaway won the Academy Award for Best Supporting Actress.
“I was so happy for her and I absolutely had my fingers and toes crossed for her, not that she needed it,” Barks said. “She was fantastic in the role, her performance was so beautiful.”
As for her favorite co-star? That would have to be Hugh Jackman.
“It’s incredible. The man is not only one of the most talented people I’ve ever had the joy of seeing up close, but he’s one of the nicest guys with this calm, gentle spirit. This character burst out of him and it was fascinating to watch,” she said. “He’s the hardest working person and he’s this lovely, level-headed human being. He’s so nice to everybody. There should be a life award for Hugh Jackman for just being an awesome human being.”
Check Out a Clip of  Samantha Barks Singing “On My Own” Below
The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

The Host’ Stars Jake Abel and Max Irons Talk ‘Twilight’ Comparisons

The Host’ Stars Jake Abel and Max Irons Talk ‘Twilight’ Comparisons

by  | March 27, 2013 at 2:50 PM | Celebrity InterviewIn TheatersMovies
Max Irons and Jake Abel (Photo by Kevin Winter/Getty Images)
Just days away from the release of their new sci-fi flick “The Host,” adapted from “Twilight” author Stephenie Meyer‘s novel of the same name, stars Jake Abel and Max Irons are preparing for the immense amount of fame that often accompanies high-profile films.
“It’s a bit odd,” Abel, the 25-year-old best known for his role in the “Percy Jackson” films, told me during a recent interview. “I couldn’t imagine not being able to go to my local movie theater or grocery store. That is part of my everyday life that I hold very dear. It would be hard to see that go.”
His co-star, 27-year-old Max Irons, son of beloved actor Jeremy Irons, agrees, but doesn’t believe they will be plagued with constant media attention like their Meyer-spawned predecessors.
“I heard a story about Robert Pattinson being chased through the streets of Paris by a hoard of girls before he even started filming the first ‘Twilight,’” he said. “That certainly hasn’t happened to us. I think it is a different case.”
“The Host,” which hits theaters this Friday, centers around a society that has been invaded by Souls, parasitic aliens with the ability to posses human minds.
The Andrew Niccol-directed movie stars Saoirse Ronan as Melanie Stryder, a girl whose body is taken over by a Soul called Wanderer. Stryder gets caught up in an odd and confusing love triangle with both Abel and Iron’s characters.
Ronan and Irons in 'The Host'
“The first time you come across my character, I’m on the run and I assume that all my fellow humans have died out. I discover Melanie Stryder, who is also on the run, and fall in love with her,” Irons says of his character Jared Howe. “She is taken from me and becomes a Soul. Then she comes back, looking physically like everything I know and love, except everything I know and love has disappeared.”
Abel plays Ian O’Shea, one of the few surviving humans who also falls in love with Stryder, but only after her body has been possessed.
“My initial instinct is to kill any alien on contact, except for this one alien, played by Saoirse Ronan, who I start to fall in love with,” Abel said. “I see she contains a sense of humanity and kindness.”
The pair of actors, who cite sci-fi classics such as “2001: A Space Odyssey” and “Close Encounters of the Third Kind” among their favorite movies, were excited to join the cast of “The Host.”
“This was different than any other young adult adaption that I have been a part of or seen,” Abel said. “It was on an elevated level that really separated it from the pack. “
Abel in 'The Host' (Photo: Open Road)
They were, however, fully aware of the inevitable “Twilight” comparisons.
“I actually saw something in the newspaper in England which was titled ‘Which of these films will be the next ‘Twilight?’ It listed 12 young adult adaptions, half of which have nothing to do with ‘Twilight,’” Irons said. “The only common denominator is that they have young people in it. It’s not so much that films are similar to ‘Twilight,’ but that people are interested by the phenomena that ‘Twilight’ caused because there has never been anything like it, and I don’t think we will see anything like it again.”
Abel and Irons didn’t let the possibility of “Twilight”-esque mania stop them from joining the Myer’s next big-screen adaptation.
“The work is what is important, and what comes after is really out of our hands and out of our minds. It’s all about the work,” Abel said. “If it allows us to work with the filmmakers we want to work with, then it is a necessary evil to be able to work with the caliber of people we want to work with.”
Irons, who hails from Britain, was especially dedicated to the flick. He had to get his driver’s license to perform certain stunts in the movie, which turned into a memorable (and scary) experience for the actor.
“Unlike America, where everyone pretty much gets their license when they are 16, in London there is no point because it takes twice as long to get anywhere,” he said. “I got it here and there was one day where we had to drive this truck. And it was all well and good when I was doing it by myself, but then they put Jake and Saoirse in. I felt very responsible for their lives.”
 “The Host” opens in theaters everywhere this Friday, March 29. Click here to order tickets through Fandango.

Director Makes Fanning’s First Kiss ‘Very Special’ in ‘Ginger and Rosa

Director Makes Fanning’s First Kiss ‘Very Special’ in ‘Ginger & Rosa’

by  | March 29, 2013 at 8:32 AM | Celebrity InterviewIn TheatersMovies
Sally Potter and Elle Fanning (Photo: Ian Gavan/Getty)
There are few things as memorable in a young girl’s life as her first kiss. And it’s no different for an actress experiencing her first movie lip-lock in front of a watchful cast and crew.
For her new film “Ginger & Rosa,” English directorSally Potter went the extra mile to make 14-year-old star Elle Fanning feel comfortable before her first big-screen smooch.
“I did some very special things,” Potter, 63, told me during a recent interview. “I allowed Elle to choose her co-star for that scene. And we hadhuge fun looking through all the photographs and all the potential [actors] so that she could laugh and laugh and laugh and get all the embarrassment out of the way.”
She continued: “I think if you’re going to have such an important experience with a camera right there, you need to feel powerful in it and not feel in any way manipulated or pushed. I put her in charge.”
Set amidst the threat of Cold War nuclear holocaust, “Ginger & Rosa” is the story of two teenage girls living in 1962 London. Rosa (Alice Englert) is a rebellious lost soul who, abandoned by her father years earlier, now lives with her single mother. Ginger (Fanning) is an intelligent and artistic activist, torn between the love of her exhausted mother (Christina Hendricks) and the fascination with her idealistic father (Alessandro Nivola). Despite their differences, Ginger and Rosa share an intimate bond of lifelong friendship, until the pressures of the changing world tear them apart and lead to an ultimate act of betrayal.
Potter’s careful plotting of Fanning’s first kiss is a clear example of her adoration for the talented teen, who began acting at the age of 2 in the shadow of her equally famous sister Dakota, but if you want to know how Sally reallyfeels about Elle, all you have to do is ask.
Alice Englert and Elle Fanning in 'Ginger & Rosa' (Photo courtesy of A24)
“She’s astonishing,” Potter said. “I think it’s a mixture of skill… although she’s still young, she’s had a great deal of experience, and that is a very unusual combination. She knows how to work. She has great self-discipline. Combine that skill with emotional openness. Courage. And a hugelydeveloped imagination. And add to that the fact that she’s an adorable person to work with. She’s a director’s dream when you work together. We bonded so closely.”
Like a doting mother, the director reiterates her feelings for Fanning with three simple words: “Ilove her. I love her. I’ve worked with some of the best actors in the world and she’s right up there with them. She’s very special.”
Elle Fanning’s unique talent is no secret to film critics, who have lauded the actress for her performances in “Reservation Road,” “The Curious Case of Benjamin Button,” “Somewhere” and “Super 8.” Her performance in “Ginger & Rosa,” which displays an emotional range, poise and maturity beyond the capabilities of many actors twice her age, is her most acclaimed to date. To boot, Fanning delivers her expressively nuanced dialogue with a near-perfect English accent which, when combined with her dyed red hair, makes her nearly unrecognizable.
“Some big British critics came up to me and said, ‘Who is this amazing young British girl you’ve discovered with the red head?” Potter told me. “I said, ‘You didn’t recognize her?’ They could not believe that a young blonde girl from Los Angeles could so convincingly play an English teenager from the ’60s.”
Equally convincing as a ’60s Brit is “Mad Men” star Christina Hendricks, whose famous red mane and fair skin made her a visual fit as Ginger’s mother. But it is her stripped-down performance as a poor and downtrodden wife and mother than will surprise many of her cable TV fans.
Christina Hendricks as Natalie in 'Ginger & Rosa' (Photo courtesy of A24)
“When a popular image of an actor is one of a certain kind of glamour – and she’s wonderful as Joan in ‘Mad Men,’ I adore her in that role – but she needed to go in a different direction in this and work with a whole other range to herself as a performer,” Potter explained. “She manages to portray a certain kind of suffering and struggle of that period, of women who were trying to be independent but didn’t have the economic means to be independent, and wants to be a good mother but is feeling alienated from her teenage daughter, and her marriage is breaking down. But at the center of it, there’s this great spirit. You feel the spirit, you don’t feel a victim. You feel the spirit of this woman who’s wanting to be more.”
If it seems like the “Ginger & Rosa” is mostly about Ginger, and not so much about Rosa, you’d be right. In fact, Potter, who also wrote the screenplay, previously titled the movie “Bomb,” but felt that it would mislead people into thinking it was an action film. In reality, both titles are accurate, with “Ginger & Rosa” referring to the central relationship that drives the story forward, and “Bomb” referring to both the figurative and potentially literal disruption of Ginger’s life.
Once a self-proclaimed “young activist” who, like Ginger, attended London’s “ban the bomb” marches, Potter experienced the tensions surrounding the literal bomb, but says her redhead is not necessarily based on her teenage self.
“I did draw on a lot of memory and some direct experience and mussed it all up with imagination and observation and what ifs,” she said. “I think if it was really a self-portrait it would be a very, very, very different animal altogether. There’s some strong points of identification, not the least of which is being a young activist and young poet and those kind of things. That’s a world that I know.”
“Ginger & Rosa” is open theatrically in select cities now. Click here to order tickets through Fandango.

Five Minutes with ‘Family Weekend’ Star Kristin Chenoweth

Five Minutes with ‘Family Weekend’ Star Kristin Chenoweth

by  | March 29, 2013 at 12:14 PM | Celebrity InterviewIn TheatersMoviesXFINITY On Demand
'Family Weekend' star Kristin Chenoweth (Photo: Jemal Countess/Getty)
Actress Kristin Chenoweth received critically acclaim for her role as Glinda the Good Witch in the Broadway musical “Wicked,” but this week, the 44-year-old Emmy winner is showing off her bad side in the new movie “Family Weekend.”
Now open in limited theatrical release and available at home with XFINITY On Demand, “Family Weekend” is the story of a 16-year-old girl named Emily (Olesya Rulin), who takes her neglectful parents (Chenoweth and Matthew Modine) hostage in a misguided intervention attempt after they miss her jump-roping competition. Over the course of a weekend, Emily and her siblings (Joey King and Eddie Hassell) attempt to repair their broken family and rediscover their love for one another.
I recently caught up with Chenoweth to talk about the new movie, her talented co-stars and her idea of a perfect family weekend.

David Onda: You’ve been particularly supportive of this film. What is it about “Family Weekend” that really speaks to you?
Kristin Chenoweth: For me, it was about the evolution of the family. Seeing how people can start out one way and become something that they’re really not and end up back together. I love that. Especially with my character, in particular. In a way, she had become the man of the household, she was the breadwinner and had to really step up to the plate because her husband wasn’t. And how she evolves and becomes kind of hardened. And then, of course, events happen and she becomes the woman she was all those years ago, and a better mom and a better wife and maybe not so focused on her career. I think there are lots of women out there that are having both and doing it well, and I think that Samantha, my character, has sort of lost her way a bit. I just enjoyed playing someone like her. I’ve never done that before.
Olesya Rulin in 'Family Weekend' (Photo: Arc)
Onda: Why does it take Emily so long to reach her breaking point, and how did the family get so far off track to begin with?
Chenoweth: It always starts at the top, and that’s the parent. When parents start checking out, kids start focusing on their own lives on their own. And that’s the greatest gift parents can give, is their time. And that’s what the underlining theme of the movie is – don’t forget what’s important. I think Emily has reached her brink. Her parents have not been available to her, and the other kids are unique and special in their own ways too, so it’s a dysfunctional family.
Onda: Joey King plays one those dysfunctional kids, and her character dresses up as various inappropriate movie characters, like Iris from “Taxi Driver.” She must have been a trip to work with.
Chenoweth: Total trip. You’re looking at this kid and you’re like, “Are you 45? What’s your actual age? Do you have that disease that that girl had in ‘Orphan’ where she was 111?” She’s amazing, and I predict big things for that child. I saw her last night, we screened [“Family Weekend”], and she’s now 12, I think. She’s 5’1”. She’s taller than me now. And she’s just the cutest thing and so sweet and so precious. I just adore her.
Onda: Olesya’s character is a speed jump-roper, and it looks like she’s really doing it herself. Was that a skill she already had?
Chenoweth: She trained for four months before she came. She is really good. There are some shots they had to do with a professional jump-roper, but she did do a lot of her own jump-roping. We would wrap and she would go train, because throughout the movie she didn’t want to lose the timing. She’s fast. I have to say, I was very impressed. I just couldn’t believe it. Four months of getting her speed and her pace and her heart rate. She had to work at it and she did it. I was really proud.
The many faces of Joey King in 'Family Weekend' (Photo: Arc)
Onda: You play a very self-absorbed mom in this film, but you get to act opposite one of TV’s greatest moms, Shirley Jones, who plays your mother-in-law.
Chenoweth: It was really fun for me, because I admire her so. There was a time where she wasit in the movie musical world. Obviously that is something I understand. For me, playing someone who’s just become so hard and has to be so stern with her – that was harder for me than anything, because I love Shirley. I did “The Music Man” remake, the movie, for ABC and she was the original Marion the librarian, and I just had to get over my intimidation and put it behind me and be like, “OK, get over yourself Kristin, and do it.”
Onda: The title makes the movie sound very family friendly, but there is a little bit of adult language here and there. Who is this movie for?
Chenoweth: Yeah, it’s an interesting tone. We all were talking about it before we started shooting. It’s that really fine line of dark comedy, but family oriented. I have to say, I think it’s kind of the perfect family movie for 2013. The family movie when I was 18 was totally different. But, now, it’s a little edgier and the kids are having to deal with totally different things than I was having to deal with. I think it’s awesome that it kind of hits exactly the right place. The tone of it is for now.
Onda: What is your idea of the perfect family weekend?
Chenoweth: Ordering in and watching a movie. How pathetic is that?
Modine and Chenoweth in 'Family Weekend' (Photo: Arc)
Onda: With your dog, of course.
Chenoweth: With my dog. And, like, myself.
Onda: Well, at least she won’t tie you to a chair.
Chenoweth: That’s why I got one that’s about 6 lbs. There’s no mistaking me for the appetizer. She’s one of those dogs that doesn’t know she’s little. She’s kind of like me. She doesn’t know she’s little.
“Family Weekend” is now open in limited theatrical release and available with XFINITY On Demand.

The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.

Bruce Campbell Explains ‘Evil Dead’ in One Five-Minute Rant

Bruce Campbell Explains ‘Evil Dead’ in One Five-Minute Rant

by  | April 5, 2013 at 10:30 AM | Celebrity InterviewIn TheatersMoviesNYCC
Bruce Campbell (Photo: Michael Buckner/Getty)
Some stars are so entertaining, it would be a crime to try and cut them off.
Bruce Campbell is one of those stars.
The 54-year-old actor made his debut in 1981 as chainsaw-wielding hero Ash Williams in a low-budget horror movie called ”The Evil Dead.” The film, which is now a beloved cult classic, not only launched Campbell’s career, but the career of its unknown 22-year-old director Sam Raimi as well. Ash went on to fight the undead in two sequels, “Evil Dead II” and “Army of Darkness.”
This weekend, Campbell and Raimi revisit their horror franchise as producers of an all-new reimagined “Evil Dead,” directed by Fede Alavarez and starring “Suburgatory” actress Jane Levy. The film follows five friends as they visit a remote cabin in the woods, where they discover the Necronomicon, which awakens an evil spirit that inhabits each of the cabin’s guests.
For more on the film, I joined a group of excited writers for an interview with Campbell at October’s New York Comic Con. Below is the actor’s uncut, uninterrupted five-minute explanation of how the “Evil Dead” reboot came to be, how its star handled filming and whether he’ll ever return to the role of Ash. Enjoy.
Bruce Campbell: “The basic story is this: Fede made a short called ‘Panic Attack.’ It went crazy on the internet. Robots attacking a city. Go figure. Within three weeks, he was sitting down in front of every major studio and already had an agent. At CAA, for god’s sake. I can’t get them on the phone! And this little son of a [expletive], he’s the most wanted man in Hollywood. One of his meetings was with Sam. Sam’s like, ‘Ok, who’s this guy? Who’s this new hot [expletive] filmmaker?’ And they hit it off. And Sam was gonna develop a feature version of ‘Panic Attack.’ Oh my god, it got bogged down into development hell. Fede ended up pitching ['Evil Dead'] to Sam, randomly having fun discussions as filmmakers do. Sam really liked some of the ideas he had, we all got involved, listened more extensively to his ideas, and then we’re like, ‘Wow, this guy’s really thinking this through. He’s really serious, and he wants to do a retelling of that same story. So, we got behind it.”
Jane Levy in 'Evil Dead' (Photo: TriStar)
“Sam sort of handpicked Fede, so we have complete confidence in him. Now that we’ve seen [the movie], we’re like, ‘Jesus Christ, what did he do?’ He did a, in my opinion, a spectacular job. Not a good job. A spectacular job. This is an adult movie. This is an old school horror, not masturbatory cinematic tricks. He’s a filmmaker, he’s a storyteller. And he’s gonna freak your [expletive] out. This movie’s gonna freak people’s [expletive] out. In a good way. And I hope for years from now, for the next 30 years of my life, I will be invited to double bills of the original ‘Evil Dead’ – show that first – and then show the remake. I think it would be an awesome double bill.”
“It’s just two different versions of a creepy story done 30 years apart. As producers, we have not exploited this [franchise] whatsoever. Jason, Freddy – there’s versions of  ‘Texas Chainsaw Massacre.’ I lose track. But we haven’t touched the ‘Evil Dead’ movies in 20 years, and I think that’s built up enough anticipation. When fans get itchy, they let you know about it. ‘Evil Dead’ fans are not shy. But they were, at first, hesitant about this and some, I would say, were violently against it. But I think the tide is turning. They realize that we’re all involved, the original producers are involved. We’re not some cigar-chomping [expletive] producer who had a deal with the studio – ‘Hey, let me make a horror picture with some big [expletives] and blood. Whaddaya got? Ah, “Evil Dead,” let’s do that. Sounds great.’ It’s not that at all. I hope that fans realize we’re being very loyal to them and we appreciate their violent loyalty to us. We don’t wanna break that trust. They got pissed because they’re very protective of it, so we respect that and appreciate it. We don’t want a movie to be a piece of crap either. That’s the farthest thing from our mind is to shove some piece of crap down your throat. We want to make three more of these things.”
“The ‘Evil Dead’ movies are fun for audiences. The first one was very scary, the second one was kind of weird and goofy and third is an adventure movie with talking skeletons. They’re all over the place, but it’s still the evil and the dead and you can either be serious with this topic or not. So, Fede had a very straight-forward approach, a very serious approach. So, if you’re laughing during this movie, it’s only because it’s nervous laughter. This is not a funny movie. It was never meant to be a funny movie. The first one is only a funny movie because we’re kind of hokey actors delivering bad dialogue, not really knowing what we’re doing, so it made it funny. You’re going, ‘Wow, what a cheeseball line, you really nailed that one.’ But in this movie, they’re all better actors than we were.”
Bruce Campbell in the original 'Evil Dead' (Photo: Renaissance)
“Jane Levy is – we probably won’t be able to afford her for much longer, because she’s gonna go insane, in my opinion. I don’t know anything about anything, but that chick’s gonna work. She brought it. If I have to crown her the new Ash personally, I will do it myself. People just gotta chill out. This is another story. Don’t worry about Ash. Ash’ll be fine. Sam wants to preserve Ash, too. We may do an ‘Evil Dead 4,’ but it’s not like these movies are easy to make, and it’s not like any of us are getting any younger, so people shouldn’t have anticipation. We wanna give them a little something, and that little something is a new telling of the story done really well by Fede.”
“Evil Dead” is in theaters everywhere now. Click here to order tickets through Fandango.

Cheaper by the Hundreds: Patrick Huard Fathers 533 in ‘Starbuck’

Cheaper by the Hundreds: Patrick Huard Fathers 533 in ‘Starbuck’

by  | April 5, 2013 at 4:53 PM | Celebrity InterviewIn TheatersMovies
Patrick Huard (Photo: Jason Merritt/Getty)
When director Ken Scott asked his longtime friend and actor Patrick Huard to star in his new French-language movie “Starbuck,” the 44-year-old Canadian wasn’t immediately sold.
“He said it’s about a guy who gave a lot of sperm and he’s actually the father of 533 kids. And we thought of you to play the part,” Huard told me during an interview this week. “I didn’t know if it was good that he thought of me for that part.”
But after reading the script, Huard, who has appeared in more than two dozen French films and television shows, was sold. “It was like reading a novel,” he said. “Five minutes afterwards, I was over the phone with Ken saying I absolutely want to do this movie. There’s no way I’m not doing it.”
“Starbuck” tells the fictional story of David Wozniak, a man whose frequent donations to a Quebec sperm bank (and a bank error) in 1988 result in the birth of 533 children all genetically linked to him. Twenty-some years later, 142 of those children join a class-action lawsuit to uncover the identity of the anonymous donor known as “Starbuck.” Although he resists at first, David soon begins investigating the lives of his litigant offspring and finds himself hopelessly invested in helping them with their life problems. As it turns out, it is David, who has hit a financial and romantic dead end in his own life, who benefits most.
Huard and I continued our chat about this charming, clever and surprisingly funny film (which is now open theatrically in select cities) as we talked about parenthood, coffee and the upcoming “Starbuck” remake.
David Onda: How often do you get asked whether this is a movie about coffee?
Patrick Huard: [laughs] At the beginning [in Canada], it didn’t last long. We have Starbucks here, but everybody knows about this bull that we had in the ’80s that was sort of a national pride. This bull was so fertile, at a certain point he was responsible for one part of the cows in North America, and he was insured by the government for $25 million or something like that. So it was easy to say, “No, no, no, it’s not the coffee, it’s the bull.” But when I was in the States promoting the movie, a lot of people were asking “Why Starbuck? What’s the link here?”
Huard as David Wozniak in 'Starbuck' (Photo: Entertainment One)
Onda: The main character just loves caramel macchiatos, that’s all.
Huard: [laughs] Yeah! Woody Allen had a movie called “Bananas.” And everybody was asking him, “Why ‘Bananas’?” And he said, “Because there was no bananas in it.”
Onda: In the beginning of the film, David is stuck in a funk. He’s not a bad person. He’s a good man. So, how does he hit this dead end in his life?
Huard: He’s just that kind of guy who can make a really long string of bad decisions one after the other. That’s the kind of guy. We all know somebody like this, somebody that we love that just seems to – every time he has the choice between the right and wrong, he chooses the wrong. And every time he does choose the wrong path, he does it with all of his heart because he thinks it’s the right one.  That’s why we keep loving those people. We all have a friend or relative that we go, “I can’t believe he did that. It’s impossible that he really sat down, thought about it, and thought it was the right thing to do. It’s crazy.” Those people exist. But David is, like, the king of them. The reason why he does that is because he hasn’t found himself yet. He doesn’t know what he’s good at. And it happened to be being a father. He’s a great father. He’s great at human relationships. It’s just that he found out a little late.
Onda: Were there elements of this character that you could personally relate to?
Huard: Actually, a lot. What I love about this movie is it’s exactly my perception of man romanticism. Men are not about music and flowers and saying the right thing at the right time. We’re not like that. We’re doing stuff that, sometimes, nobody knows we’re doing for somebody, because it’s easier for us to do stuff than to represent stuff or say stuff. And I can totally relate to that. Sometimes I don’t know what to say to my wife or my kids, I’m not sure I can say the right thing at the right time, but one thing I know is I can do something. I can be there for them, I can wait for my daughter to get out of her piano lessons for an hour and a half in the parking lot and just being happy to see her smile when she gets out. That’s the kind of thing that men do. And sometimes I think it’s underestimated, because it’s a lot of love, it’s just expressed differently.
Onda: Despite their mistakes, David’s kids are good, decent people. There’s not a mean-spirited one in the bunch. Is this a statement about nature vs. nurture? Are these 142 kids genetically predisposed to be good people because David is?
Huard gets a glimpse at his kids in 'Starbuck' (Photo: Entertainment One)
Huard: That’s a good question. I never thought about that. I think it’s just Ken’s point of view about life, and that’s something we share. I totally love human beings and humans for what they are in everything. That’s why I never judge one of my characters. I’ve played serial killers, I’ve played a lot of weird stuff, but I never judge my characters. I take for granted that everybody, in 100% of situations in their lives, is absolutely sure that they’re doing the right thing. Those kids – they’re young, they’re looking for something, they don’t know who they are yet and they hope for the better. And I think it’s something that every kid has in common.
Onda: Do you imagine that David maintains his relationship with any or all of these kids after the movie ends?
Huard: Yeah. For me, he does. For sure. And for real. He’s the kind of guy who will want to see his kids every Sunday and make a huge barbecue that will put him in debt even deeper. [laughs] He’s the kind of guy who would do that to see his kids and play with them and chat with them. I can totally imagine him with his Facebook page, chatting with all of them all day long, trying to figure out their problems and answering their questions and trying a way to be this super dad.
Onda: Ken just finished filming an English-language remake of “Starbuck” starring Vince Vaughn. Is it hard for you to let go of the character and know someone else is playing it?
Huard: Actually, it is. It is, because I’m so proud of this character, but I totally understand why. At first, it was tougher than it is now. Now I can see it as – I see that script was so good and that part is so great, I see it as sort of a, let’s say, a symphony. I was just very fortunate to be the first one to play some of those instruments. And somebody else will play it. But the thing that makes a lot of difference to me is the fact that Ken is directing the movie. If somebody else directed the movie, I would feel like, “Ehh.” But I’m so proud he’s the one that directed it. It doesn’t happen often that they wanna do a remake and they actually ask you to do it. Usually they say, “Your movie was great, so somebody else will do it.” [laughs] And they didn’t do that, and I’m very proud for Ken and I’m sure he did an amazing job and the remake will be great.
“Starbuck” is now open in limited theatrical release. Click here to order tickets through Fandango.

Evil Dead’ Star Jane Levy Calls Film ‘Worst Time of My Life’

Evil Dead’ Star Jane Levy Calls Film ‘Worst Time of My Life’

by  | April 9, 2013 at 5:40 PM | Celebrity InterviewIn TheatersMoviesNYCC
Jane Levy (Photo: Alberto E. Rodriguez/Getty)
Evil Dead” conquered the box office last weekend, banking $26 million worth of scared moviegoers.
And while fans squirmed through 90 minutes of over-the-top gore and unsettling imagery, there was no one more uncomfortable with “Evil Dead” than its star Jane Levy.
“It was the most horrible experience of her entire life, shooting this move,” said Bruce Campbell, “Evil Dead” producer and star of the original 1981 cult horror classic on which it’s based. “And I was so glad to hear that, because it meant that the character went through hell, and the audience loves it when characters go through hell.”
Levy, best known as the redheaded star of the ABC comedy “Suburgatory,” didn’t share Campbell’s appreciation of her misery.
“It was the worst time of my life,” Jane told writers gathered at last October’s New York Comic Con. “I didn’t have to do much. I was so uncomfortable, in so much makeup. I looked disgusting. I was freezing cold and tired and sad and I wanted to go home.”
Directed by Fede Alvarez, “Evil Dead” is the story of Mia (Levy), a heroin addict who absconds to a remote cabin in the woods with four friends in an effort to kick her habit cold turkey. Instead, the group of 20-somethings discovers a mysterious book and unwittingly unleashes a powerful demon that possesses each houseguest. In the end, only one of them will survive a showdown with the dead.
“From the beginning, it’s really a story about Mia’s survival,” Levy explained. “Survival from her own demons, and then survival from the actual demons. You’ll see if she wins or not.”
Levy in 'Evil Dead' (Photo: TriStar)
Unlike the original “Evil Dead,” which was a campy low-budget flick directed by the undiscovered Sam Raimi (now a producer), the remake is a serious horror film for adults, rife with blood, guts, death and violence. Campbell was quick to point out the shift in tone, perhaps in an effort to quell the expectations of his rabid fans, but Levy confessed she struggled with the morose themes within the movie.
“It’s so heavy. It’s so, so grim,” the 23-year-old starlet said. “I did think, sometimes, can there be any humor here? Who just wants to watch this most depressing thing in the whole entire world? But I think there’s so many other elements. Fede has created a really beautiful world. The film looks amazing and, again, I just sort of had to trust them, because it’s really their movie and I’m just a puppet.”
Raimi, Campbell and Alvarez aren’t going to stop pulling the strings anytime soon – the filmmakers have announced that a second installment of the “Evil Dead” reboot is in the works with a release date to be determined. Will Levy’s character live to see the sequel? You’ll have to see the movie to find out, but it’s safe to say the actress wasn’t exactly keen on the idea.
“I don’t think I ever need to do a horror film again,” she said.
“Evil Dead” is in theaters everywhere now. Click here to order tickets through Fandango.

The opinions expressed are solely those of the author and do not necessarily reflect the views of Comcast.
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